"Shadow Soundings turns both our notion of sound and our sight upside down and inside out. Ten channels of live sound, two channels of live video, and five channels of recorded video are all mixed up and not necessarily connected with each together. What is happening in real time and past time on Lisbon’s iconic 25 de Abril Bridge is blown apart, with multiple visual perspectives of the bridge projected on panels suspended in the gallery, and with different audio perspectives, both inside and outside the gallery. Fontana has never worked on this scale before: he states his wish to induce a sense of ecstasy and truly blow our minds". (Ariane Koek, On the Edge of Vision))